Anime

November 18, 2025

Political Tensions Halt Release of Live-Action Cells at Work! and Crayon Shin

Geopolitical Tensions Lead to Postponement of Major Film Releases in China

The cinematic landscape in China is facing unexpected shifts as two highly anticipated films have had their release dates pushed back indefinitely. The movies in question are the animated feature “Eiga Crayon Shin-chan Chō Karei! Shakunetsu no Kasukabe Dancers” and the live-action adaptation of “Cells at Work!”. Both films were originally scheduled to hit theaters on December 6 and December 22, respectively, but recent developments have altered these plans.

The delays coincide with escalating tensions between China and Japan. On November 7, Japanese Prime Minister Sanae Takaichi made a statement that has since sparked controversy. She remarked that a potential Chinese attack on Taiwan could be considered a threat to Japan’s survival, potentially justifying military intervention. This statement references legislation from 2015, which amended Japan’s security laws to include provisions for defending against situations that could endanger the nation’s survival.

In response, Chinese diplomatic officials have expressed strong disapproval, and the Chinese foreign ministry has advised its citizens to avoid traveling to Japan. Major airlines have begun offering refunds for flights to and from Japan, reflecting the growing unease. Travelers from China and Hong Kong represent a significant portion of Japan’s annual tourist influx, with 7.48 million visitors from China alone between January and September of this year.

The impact on the film industry is already evident. The current status of Japanese films screening in China remains uncertain. Notably, “Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle – Part 1: Akaza Returns,” the first installment in the highly successful “Demon Slayer: Kimetsu no Yaiba Infinity Castle” trilogy, opened in China on Friday. The film has already made a substantial impact, earning 373 million RMB (approximately US$52.53 million) in its first three days. Its IMAX screenings alone brought in US$12.3 million, setting a new record for the highest-grossing and best-selling IMAX opening for a Japanese film in China.

The situation remains fluid, with no new release dates announced for the delayed films. The broader implications for the film industry and international relations continue to unfold, as stakeholders await further developments.